Georgian Women
- Education
- Occupations of Women
- Authors
- Musicians
- Astronomers
- Computers
- Theatre actresses
- Women and the British Museum
- Aeronautics
- Travelers
Travelers of the Grand Tour, authors -sometimes anonymous, computers like Ada, « shady actresses », musicians, astronomers, cooks, teachers...a woman even experienced the first parachutes...
- Education:
- Guyonne Leduc, Professor at the university of Lille
- In the play The Rivals (1775) by Sheridan, Mrs Malaprop presents the education of women in the 18th century: you can also watch the brilliant film of the play produced by Shaun Sutton - YouTube video, 23 Dec 2018.
- Authors: Jane Austen
- Musicians: Elizabeth Linley
- Computers: Big Dimwits and Little Geniuses. Find out who Ada, Countess of Lovelace was and what computers were doing...
- Theatre actresses
- Actors and actresses (Georgian Cities)
- My present Dreadful Situation: The Perils of Fame as an 18th -century actress
Jane Lessingham as Ophelia in Hamlet
3 June 2016 - George Anne Bellamy
- Sarah Siddons
- Sarah Siddons by Thomas Gainsborough
Women too were encouraged in the study of natural history, particularly botany and ’natural curiosities’.
See A.B. Shteir, Cultivating Women, Cultivating Science: Flora’s Daughters and Botany in England 1760-1860 (Baltimore 1996), and Sue Bennett, Five Centuries of Women and Gardens, National Portrait Gallery exhibition, 2000.
In the eighteenth century the moral and educational precepts of Locke and Shatesbury filtered their way through to female members in some families and by the second half, although ’bluestockings’ were mainly literary figures and increasingly socially ridiculed, a number of women managed to enter what had previously been a mostly male preserve. The Duchess of Portland (who was responsible for the Harleian manuscripts coming to the Museum) and Sarah Sophia Banks (sister of Sir Joseph) were themselves the creators of two collections which were the largest and perhaps the finest of their kind in Europe. The Duchess collected natural history specimens, particularly plants and shells, much of it catalogued by Solander or drawn by Ehret and the Duchess’s companion, Mary Delany.p.20
Enlightenment, Discovering the World in the Eighteenth Century, edited by Kim Sloan, The British Museum Press,2003.
>> Mrs Letitia Ann Sage
Mrs Letitia Ann Sage, ’The first English female aerial traveller’, ascended in Vincenzo Lunardi’s balloon on 29 June 1785 from St George’s Fields, London. In homage to her beauty, Lunardi had asked Mrs Sage for the honour of taking her into the ’blue Paradisian skies’. Thrilled by this romantic proposal she accepted.
Join Assistant Curator Matthew Howles on a hot air balloon adventure with Mrs Sage, the first English female aeronaut.
Meet Letitia Ann Sage: an actress who, on this day in 1785, became the first English woman ever to take to the skies, in a hot air balloon. Although not the first woman in England to do so - the French sisters Rosine and Leonora Simonet had already made separate ascents with the balloonist Jean-Pierre Blanchard the month before – Sage was still among the pioneers. Indeed, the world’s first crewed, free-flying balloon flight had occurred less than two years earlier on 21 November 1783, when a balloon designed by the French Montgolfier brothers was launched in Paris.
>> Jeanne Geneviève Garnerin (Wikipedia)
- The Grand Tour
>> Women and the Grand Tour (Wikipedia)
The Grand Tour of Europe became increasingly popular among women in the late 18th century and early 19th century... For British upper-class young women...
The Grand Tour was the 17th- and 18th-century custom of a traditional trip through Europe undertaken by upper-class young European men of sufficient means and rank (typically accompanied by a chaperone, such as a family member) when they had come of age (about 21 years old). See Travels: The Grand Tour.
The Invisible Woman
The Invisible Woman: Aspects of Women’s Work in Eighteenth-Century Britain
edited by: Isabelle Baudino, Jacques Carré, Cécile Révauger
Aldershot, Ashgate, 2005, ISBN: 9780754635727; Price: £48.99
Women’s Work and Identity in Eighteenth-Century Brittany
Nancy Locklin
Aldershot, Ashgate, 2007, ISBN: 9780754658191; Price: £55.00
Dr Amy Erickson
Institute of Historical Research
Dr Amy Erickson, review of Women’s Work in the Eighteenth Century, (review no. 708a)
Date accessed: 14 September, 2021
Work in the 18th century has long been neglected by historians, who have focused instead on other aspects of economic life: notably consumption, but also on the legal structures of inheritance and marriage which shaped working lives over the life cycle. So we can identify the legal differences and similarities between 18th-century Brittany and Britain. Inheritance was partible in Brittany, in theory equally divided among all children, although the eldest male generally got the dwelling house. Britain employed a mixture of primogeniture for land and partibility for movable goods, although there was always much greater freedom for the testator than in France. From the age of 21 in Britain and 25 in Brittany a woman, like a man, was a free agent for all legal purposes (buying and selling, contracting, suing). But upon marriage the rights of the Breton woman and the British (especially the English or Welsh) woman diverged: in Brittany a married woman retained her dowry and her inheritance from her parents, and all property acquired after marriage (or after one year of marriage, to test its viability) was held in community, administered by her husband; whereas Britain had complete coverture, whereby the husband took absolute possession of all or almost all of his wife’s property, with no grace period. Upon widowhood, the Breton woman enjoyed the community property after her husband’s debts were paid, in addition to the property she had retained throughout marriage, whereas the British woman was not legally entitled to anything (although in practice she usually got most of her husband’s estate). In the event of marital breakdown, separation was possible in Brittany, but extremely difficult in Britain.(1)
This brief summary suggests some of the ways in which working lives must have been structured by the law in the different regions. Nancy Locklin cautions (p. 91) that separation cases in Brittany were ’rare’, pointing to the fact that the region of Tregor in the northwest had only 160 applications in a 25-year period. Compare that with England, where 160 cases in 25 years in a single small agricultural area would have been an inconceivably large number. Nearly 70 percent of the Breton applications were made on the basis of the husband’s brutality, but in England a husband’s brutality was not even a legal ground for separation unless it were accompanied by adultery.
Most people received something by way of inheritance; most people got married and so experienced the law of marital property; a very large minority of people were widowed and experienced a property division at that point; a relative handful of people went through the legal process of marital separation. All of these are economic events over the life-cycle. But it is work that is the most universal economic activity of all, and yet work is the aspect of people’s economic lives about which historians know least. Partly this is a source problem: the laws governing inheritance and marriage are readily available in published texts, and their implementation is fairly readily apparent in wills and inventories and marriage contracts, sources which are generally well-catalogued and clearly written. The evidence on work, on the other hand, must be sought instead in the more sprawling, more complicated sources of court cases and guild records and tax registers.
The type of work which appears in the historical record was overwhelmingly remunerative, whether that was paid labour or entrepreneurial. Unpaid work on behalf of the family is virtually unquantifiable in centuries before the 20th, although it certainly deserves analysis in other ways. But early modern women’s work was not restricted to unpaid domestic work, and the records show substantial numbers both in paid labour and running their own shops and businesses. The Breton married woman had a more clearly defined right to trade than the British woman. Unusually for Europe, she could trade as a merchant without her husband’s authorisation, whereas elsewhere his permission was required. Throughout Europe, these provisions for married women traders which created legal exceptions to the normal marital property laws were related to concernes over debt liability, and not to any conception of the rights or needs of married women. But no one knows what difference it made in practice that the husband’s authorisation was not needed in Brittany, or if it made any difference, because the research has not yet been done outside of Brittany.
Locklin has produced a well-researched, clearly written, thorough analysis of women’s work in Brittany. She grapples with the big questions: the sexual division of labour and its causes; whether women had a work identity; the relationship between levels of pay, occupational status, and work identity; and longstanding historical assumptions that only poor women worked, because they had to, whereas prosperous women merely served as bridges between fathers and sons in family trades. She shows a multitude of women – single, married and widowed – in a range of occupations: bakers, merchants, midwives, but most of all in ’selling and sewing’ (p. 63). She recognises the significance of her conclusions: ’it would surprise no one that poorer people had to combine incomes in order to survive... But I find that this marriage pattern exists even among artisans and shopkeepers in Brittany. Among these middling sorts, it was not unusual to find a merchant or tradeswoman, literate and in possession of guild membership, married to a lawyer or craftsman’ (p. 140).
The aim of The Invisible Woman is similar: to show that not only current preconceptions but also the ’contemporary perception of the range of women’s employments did not correspond to what it really was: far from being employed exclusively in domestic and pseudo-domestic tasks, working women were also found... in supervisory and professional jobs’ (p. 2). The first section, ’Women in the Domestic Sphere’, focuses on middle and upper-class households, and includes essays on the new profession of housekeeper (Gilly Lehmann), the representation of housework in the press (Marie-Claire Rouyer-Daney), needlework and feminism in literature (Christine Hivet), and governesses to the nobility (Sophie Loussouarn), all of which are interesting and, to the best of my knowledge, the first detailed forays into their subjects.
The second section, ’Women in Male Strongholds’, opens with an essay on the Scottish Highlands (Marie-Hélène Thévenot-Totems), which is not about work, but about male writers’ perceptions of women’s work, and appears to be completely innocent of either source criticism or any recent research on actual Scottish women. Unfortunately, this is also the only chapter to focus on Scotland in the collection. The section picks up a little with a review of women in the army based on secondary work (Guyonne Leduc), and hospital nurses based on primary research (Jacques Carré). The final two contributions to this section, on women in freemasonry (Cécile Révauger) and in urban communities (Deborah Simonton), are the most comparative in the book, mentioning Scottish (and, in Simonton’s case, Irish), as well as English towns, and looking at the French case. Otherwise, ’Britain’ is used in the book and the essay titles as a synonym for ’England’, and even for ’London’.
The final section, ’Women and the Cultural Scene’, offers chapters on actresses over the century (Séverine Lancia), the female characters of Elizabeth Inchbald in the 1780s and 1790s (Angela J. Smallwood), professional musicians (Pierre Dubois), the publishing phenomenon of the Lee sisters (Marion Marceau), and images of street-sellers (Baudino). Inexplicably, the only illustrations in the book were given to the article on the Scottish Highlands, rather than to these much more interesting and deserving essays which would have profited by them. The Invisible Woman doesn’t promise anything more than ’aspects’ of women’s work, and the essays are tasters – interesting glimpses of occupations which may have meant survival or even wealth to their practitioners, but which will never comprise more than tiny fractions of all women engaged in remunerative work.
Locklin’s approach, by contrast, is systematic: she assesses all the women she can find in the various guilds, in different types of tax records (which included many more occupations than the guilds, and many more women than the guild records), and in court rolls. She negotiates the intricacies over time of changing guild regulations (which ones admitted women when, and on what terms) in the Breton cities of Nantes, Rennes, Quimper, and Brest. This exercise usefully illustrates the variability of guild control of trade within a single region, let alone within a single country.
One factor that clearly distinguishes Brittany from other parts of Europe is its high number of female-headed households. It is usually thought that female-headed households were more common in urban areas than in rural ones, due to the greater economic opportunities open to women in cities and towns. Local studies suggest that on average 13-15 percent of rural households were headed by women, and nearly 20 percent of urban households.(2) But Brittany reverses this pattern: the incidence of female headship was higher in rural areas than in urban ones, and in seven of the 11 locations studied more than 20 percent (and up to a third) of households were headed by a woman. There were also high proportions of single women, rather than widows, among the household heads, perhaps reflecting the relatively egalitarian Breton inheritance regime.
In the depth of her documentary investigation and her regional focus, Locklin’s study calls to mind Sheilagh Ogilvie’s A Bitter Living (2003) on Württemberg, and Pamela Sharpe’s Adapting to Capitalism (1996) on Essex. It is odd that neither of these appear in Locklin’s bibliography. Her conclusions are more optimistic than either Ogilvie’s or Sharpe’s. She rightly draws attention to the ’ingenuity and persistence’ (p. 47) shown by women in the market who had less access to resources and training than their brothers. Most importantly, Locklin’s Brittany confirms the earlier German and English work establishing the ubiquity of women’s remunerative labour in early modern Europe, whether that be paid or entrepreneurial.
In all three areas women were concentrated in the food and textile sectors. In Brittany these sectors accounted for between two thirds and three quarters of all women. The concomitant of that observation might be merely than men were concentrated in the building and transport sectors – and, of course, the educated professional sector. What is interesting is the particular divisions of labour within the sectors, and the differences in those divisions over time and place. In 1749 in Nantes, the largest town in Britanny with perhaps 55,000 people, all of the clockmakers, masons and carpenters were male, while all the lingères (3), hairdressers and marchandes de mode were female. The only one of these six occupations in mid-18th-century London (with three quarters of a million people) which matched this exclusive gender profile was the masons. Women were clockmakers and carpenters, and men were linen drapers, tailors, sold women’s clothes and dressed hair.(4) Whether these differences were due to the difference in size of city or to cultural differences is as yet unclear. Thanks to Locklin, we know that in Nantes, one third of the innkeepers and mercers, and half of the whole-cloth merchants and fish vendors, were women. Something like the same may have been true of London and of other cities, but the intensive research required to find out has not yet been undertaken. Two recent theses on the northern Netherlands show similarly high levels of female activity in the commercial world and in the textile industry.(5)
Locklin devotes an extended discussion to the intersections of work, sexuality and honour for women, and how accusations of sexual impropriety could be used against a commercial rival for financial advantage (pp. 115-31), the evidence for which is found in court records. Such accusations against single or otherwise independent women occurred in Brittany’s two largest cities, Nantes and Rennes (population c.100,000) on average between two and five times per year. For purposes of comparison, recall the frequency of applications for marital separation, which averaged more than six per year in rural, sparsely populated Tregor region. Not that there is any necessary connection between the two types of case, but if the occurrence of separation is described as rare, then accusations of sexual impropriety, while more frequent than we might wish, must also be pretty unusual in fact. And significantly, the number of convictions in these cases appears to have been much smaller than the number of accusations (p. 121, note 28). Locklin is eminently sensible in her conclusions: ’Women had to be careful about their social conduct in a way that men did not. But it would be foolish to conclude from this that women could never enjoy social lives outside the home’ (p. 131).
Both books struggle with the apparent contradiction between patriarchal legal and economic structures which attempted to control women’s labour, property, and reputation to a much greater extent than they attempted to control men’s labour, reputation and property, and evidence of women not merely entering the labour market and the public sphere, but not infrequently doing so successfully and on a long-term basis. The editors of The Invisible Woman offer as evidence of the invisibility of the professional woman that women were not represented as writers or painters or actors (p. 5). But the recent exhibition at the National Portrait Gallery, ’Brilliant Women: 18th-century Bluestockings’, brought together a large number of rarely seen but significant pictures. Portraits of the artists Mary Moser and Angelica Kauffmann, the ’milkwoman’ poet Ann Yearsley, the scholar Elizabeth Carter, historian Catherine Macaulay, and writers Hannah More and Mary Wollstonecraft, among others, all represented the tools of their professions. The mythologised but nonetheless real group portrait of the ’nine living muses’ (painted in 1777, and subsequently etched and engraved for reproduction, so relatively widely seen) also represented these women as the possessors of artistic skills.(6) As Locklin might have pointed out, some women carved out a space to create and were both lauded and attacked for it. These were of course only the most prominent women, and only those in the bluestocking circle. But thousands of women took more mundane public roles. The matron of St Bartholomew’s Hospital in London, who in 1771 supervised more than 100 sisters, nurses, servants, and porters (Invisible Woman, p. 94), like her predecessors and successors in the job, was seen daily by hundreds of people in her official capacity, albeit she was not (as far as I know) represented for posterity in a portrait.
Dubois’s study of London musicians articulates a recurring problem in the study of women’s work: one ’comes up against the difficulty of having a clear picture of the concrete reality of this work. One is soon led to tackle the question in terms of representations, as most primary sources tend to obliterate the practical details which might enable one to build up a clearer idea … of the material, practical and technical aspects of the profession, beyond the common stereotypes of the period’ (p. 160). The same applies to many, many trades across Europe, from the humblest (the fripiers, the Nantes junk dealers’ guild, for example), through the hospital matrons, to the most elite (noble governesses, say).
But it is not only female occupations about which historians know so little: not a great deal is known about male occupations either. The qualifications often appended to discussions of women’s work – that it was largely unskilled, insecure, seasonal, and part-time – probably also applied to most men’s work. Both of these books are part of the project leading towards a fully gendered view of the early modern economy and a fully gendered account of work and identity. The essays in The Invisible Woman offer pointers and ideas for future research. Locklin’s study provides impressive evidence of the extent of remunerative work among Breton women at all social levels and also at all stages of their lives. (The female occupational cycle may have been less affected by the familial cycle in the early modern period than it would become in later centuries.) The process of understanding develops through a dual process of highlighting the presence of women in economic activities traditionally thought of as ’male’, like farming or business, and at the same time restoring traditionally female pursuits like housekeeping and needlework to the status of economic activities.
Notes:
- 1. I have summarized Nancy Locklin’s chapter on the law here for Brittany. For more detailed examination of the legal comparisons between Britain and the continent, see A. L. Erickson, ’The marital economy in comparative perspective’, in The Marital Economy in Scandinavia and Britain 1400–1900 (Ashgate, 2005), ed. Maria Agren and A. L. Erickson.
Back to (1)
- 2. The most detailed discussion of female headship is Sheilagh Ogilvie, A Bitter Living: Women, Markets and Social Capital in Early Modern Germany (Oxford, 2003), pp. 219–24.
Back to (2)
- 3. Lingère is translated by Locklin as linen draper, which does not work for England, where the drapers’ guilds represented large-scale cloth merchants. Since the descriptions of a lingère’s work appear to have been closer to that of a seamstress, she should perhaps be identified as the equivalent of a tailor.
Back to (3)
- 4. For further information on women clockmakers, see A. L. Erickson, ’Married women’s occupations in eighteenth-century London’, Continuity & Change, 23 (2008), 267–307.
Back to (4)
- 5. Danielle van den Heuvel, Women and Entrepreneurship: Female Traders in the Northern Netherlands, c.1580–1815 (Aksant, 2007) and ’Partners in marriage and business? Guilds and the family economy in urban food markets in the Dutch Republic’, Continuity & Change, 23 (2008), 217–236, and Elise van Nederveen Meerkerk, ’Cooperating couples? Dutch textile workers, family labour and the “industrious revolution”, c. 1600–1800’, Continuity & Change, 23 (2008), 209–216.
Back to (5)
- 6. See Elizabeth Eger and Lucy Peltz, Brilliant Women (National Portrait Gallery, 2008).
Back to (6)
December 2008
Les Voyageuses britanniques au XVIIIe siècle
Les Voyageuses britanniques au XVIIIe siècle,
L’Etape lyonnaise dans l’itinéraire du Grand Tour (Collection « Des Idées et des femmes », Paris, L’Harmattan, Juin 2015, 264p .
ISBN : 978-2-343-06363-8
Institut d’Histoire des Représentations et des Idées dans les Modernités (UMR 5317)
Sous la direction d’Isabelle Baudino
Collection Des Idées et des femmes
dirigée par Guyonne Leduc
Le présent volume, issu d’un colloque aux Musées Gadagne de Lyon les 5 et 6 Avril 2013, a été accueilli dans la Collection « Des Idées et des Femmes », dirigée par le Professeur Guyonne Leduc aux éditions de l’Harmattan.
La région Rhône-Alpes, par le dispositif ARC (Communautés de Recherche Académique) a encouragé la formation d’une équipe pluridisciplinaire et soutenu les travaux des chercheurs, ce qui a permis un partenariat enrichissant réunissant géographes, historiens, historiens de l’art, et anglicistes qui ont eu le privilège d’avoir accès aux collections des musées d’histoire de Lyon.
Une Préface d’Isabelle Baudino présente le corpus des récits de voyages dans le cadre chronologique du « long XVIIIe siècle », soit de 1688 à 1837 (fin du règne de Guillaume IV), âge d’or du Grand Tour, périples effectués entre le XVIe et le XIXe siècle en Europe par des élites britanniques soucieuses d’enrichir leurs connaissances et de former leur goût. Les textes collectés et analysés, rédigés par des femmes, en langue originale anglaise, sont fondés sur des récits de voyage rédigés entre 1718 et 1839, la plupart publiés entre 1763 et 1841, d’autres dans des éditions posthumes qui font autorité.
Mais « existe-t-il une manière féminine et une manière masculine de rendre compte du patrimoine architectural lyonnais, de l’histoire de la ville, de son théâtre, de ses promenades, et même de ses soieries ? » « Y a-t-il un il ou elle de l’écriture du voyage ? » comme l’étudie Nicole Pellegrin, qui interroge les récits d’« Un couple d’écrivains britanniques en voyage : les Cradock à Lyon en 1784 ».
La première partie (pages 133 à 185) est consacrée à Lyon et à ses voyageuses. La seconde partie (pages 187 à 221) Lyon et au-delà, élargit le sujet géographiquement et historiquement.
On retiendra d’excellents tableaux (pages 53 à 62) par ordre chronologique, des années de séjour des voyageuses britanniques à Lyon entre 1718 et 1839 et par ordre alphabétique des noms des voyageuses ; une bibliographie sélective des sources primaires des écrits de femmes et des sources secondaires, d’une précision exemplaire, des références et des citations abondantes tout au long de chacune des communications ; puis une notice brève relative à chacun des intervenants ; un index nominum ; les résumés soignés en anglais puis en français, de chaque intervention (pages 241-254) ; la liste des illustrations ; l’index : toute l’organisation de cet ouvrage en facilite l’approche et la lecture. On reconnaît l’excellence de la rigueur de la Directrice de Collection.
On peut citer Bernard Gauthiez, géographe, afin de poser l’objectif visé par cette publication et les questions y afférent : « Les récits rassemblés pour la recherche sur les voyageuses anglaises à Lyon ne délivrent que des informations très limitées sur l’espace lyonnais, parce qu’ils ne visent pas à une description structurée… De plus, ces récits ne comportent en général que très peu d’informations sur l’espace de Lyon… L’objectif visé est, de cette façon, de mieux comprendre comment le voyage est pratiqué, et pourquoi seuls certains faits sont évoqués et tant d’autres, que notre connaissance de la ville rend à nos yeux mentaux importants, tus ou simplement non vus, parce que non signifiant au regard du visiteur. » (pages 78-79) Les questions posées seront alors examinées successivement : « Quel est l’espace contemporain ? … Le séjour des voyageuses anglaises est-il différent de celui des hommes ? …Comment représenter l’espace décrit par le voyageur ? ».Quid de « la visite des manufactures et les réseaux d’organisation des voyages… » ?
On laissera peut être la conclusion à l’historien Olivier Zeller : « Il importe de mettre en parallèle ce que voient, ce que font et ce que disent les Britanniques avec ce qu’ont vu, ce qu’on fait et ce qu’ont dit des ressortissantes d’autres Etats…Dans le même ordre d’idées on relève une position anti-révolutionnaire et anti-bonapartiste très largement partagée. La France de la République était normalement perçue comme un mortel danger…Il convient, donc, d’insérer la problématique des sociabilités dans ce qui pourrait être une grille de lecture des journaux de voyage. Les barrières académiques traditionnelles étant jetées bas, ces simples constats appellent à une fructueuse collaboration entre littéraires et historiens. » (pages 118-119).